Film Review: Badrinath Ki Dulhania


Stalking is so common in Hindi cinema that our filmmakers have developed a tacit grammar of good stalking versus bad. The former usually takes place in the film’s first hour, is performed with non-threatening charm by the male lead, and is borne by the female lead with exasperated good humour. The latter occurs after the interval, and is usually a prelude to the male lead discovering the error of his ways.

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